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Nahua/Mexica · 9 min read

Quetzalcoatl and the Precious Bones

A descent to Mictlan, a silent conch, and the broken bones from which the people of the present world are made.

This creation story includes an underworld, human remains, a fall, quails breaking bones, and sacred bloodletting from intimate parts of the body. The telling is non-graphic while preserving those essential acts.

Who will inhabit the earth?

After the heavens had been raised and the earth prepared, the gods gathered in counsel. The world had mountains, darkness, wind, and the promise of morning, but it waited without human footsteps. Who will inhabit the earth? they asked one another.

Quetzalcoatl, the Feathered Serpent, took the road downward. He passed from the living world into Mictlan, the underworld, where Mictlantecuhtli and Mictlancihuatl guarded the precious bones of the people who had lived before. The journey was not a conquest of death. He entered its proper house as a petitioner seeking what its rulers kept.

I have come for the bones, Quetzalcoatl said. The gods need them so that someone may dwell upon the earth. The Lord of Mictlan did not refuse at once. Instead he offered a test: sound this conch shell and circle the precious wall four times.

Music inside a closed shell

The conch had no opening. No breath could pass through it, and no note could emerge. Quetzalcoatl called to the smallest lives in that great house. Worms came and bored a path through the shell. Bees and wasps entered its chambers, and their wings and voices filled it with sound. What a god could not force open alone became possible through the work of creatures easy to overlook.

The conch cried through Mictlan. Mictlantecuhtli heard and said that Quetzalcoatl could take the bones. Yet as soon as permission was given, the underworld ruler ordered his servants to call the gift back.

Quetzalcoatl’s nahualli, his answering alter-ego, advised him to promise a return while continuing upward. So he called back that he would bring the bones again, gathered the remains of women and men, wrapped them carefully, and began to climb.

The pit on the upward road

Mictlantecuhtli knew the bones were leaving. He commanded his servants to dig a pit in the path. Quetzalcoatl struck it and fell. A burst of quails startled him so badly that he dropped his bundle, and the birds pecked the precious bones into fragments.

For a moment Quetzalcoatl could only weep. He asked his nahualli what would become of the work. It has gone badly, the voice answered. Let it be as it is. The answer made room for failure without declaring the whole journey worthless.

That reply did not mean leave everything behind. Quetzalcoatl rose and gathered every piece he could find. The bones were no longer whole or equal in length, but they were still precious. He wrapped the fragments again and carried them out of Mictlan toward Tamoanchan.

The jade bowl

At Tamoanchan, the goddess Quilaztli, also called Cihuacoatl, received the bundle. She ground the bones and placed their powder in a jade bowl. What had belonged to earlier lives became the substance from which new lives might begin.

Quetzalcoatl then offered blood from an intimate part of his own body over the bowl. The other gods performed the same sacred penance. Their gift joined the ground bones, and the people of the present world were born from what the dead had left and what the gods were willing to give. In the source this is neither punishment nor accidental injury; it is deliberate ritual obligation.

The old account remembers difference as part of this beginning. Because the bones had been broken into unequal pieces, people came into the world in many sizes. Humanity was not shaped from untouched material. It began with fracture, recovery, memory, and shared sacrifice.

What the living carry

The gods’ next question was what the new people would eat. That leads into another adventure, where an ant guides Quetzalcoatl toward maize hidden in a mountain. Life needs food as well as form, and the Feathered Serpent’s work continued.

But the journey from Mictlan was already complete. The Lord of the Dead had not ceased to be powerful, and the border below had not been abolished. The dead had not been declared meaningless. Their bones became the inheritance of those who would breathe after them, so the newest people carried earlier people within their beginning.

Rest now above the closed roads of Mictlan. Let the conch hold the soft memory of wings, and the jade bowl keep what was gathered. You do not need to be unbroken to be precious. Even scattered pieces can be carried carefully toward morning too.

About this telling

The Nahuatl Legend of the Suns, preserved with the Codex Chimalpopoca and dated 1558

This retelling follows paragraphs 20–31 of the Nahuatl Legend of the Suns. It preserves the text’s worms, bees and wasps, the deceptive exchange with Mictlantecuhtli, the pit and quails, Quilaztli/Cihuacoatl grinding the bones, and the gods’ penitential bloodletting. Quetzalcoatl’s nahualli is left as an alter-ego voice rather than silently identified with Xolotl; that identification is common in later summaries but is not explicit in the passage used here. Names and spellings vary across translations.

Version note

First Mythic Dream edition, source-checked 21 August 2026 against an accessible translation of the Legend of the Suns and modern scholarship on its manuscript context. Ritual bloodletting is named but not anatomically described in the narrative body.

Sources

Sources guide the factual spine of each retelling. The prose is original to Mythic Dream.

  1. The Legend of the Suns, paragraphs 20–31Anonymous Nahua author; independent English translation by Jason Colavito, The Jason Colavito Library

    Accessible translation of the primary 1558 Nahuatl narrative for the descent, conch test, broken bones, jade bowl, and divine penance.

  2. History and Mythology of the Aztecs: The Codex ChimalpopocaTranslated by John Bierhorst, University of Arizona Press

    Scholarly edition overview identifying the Legend of the Suns and the Annals of Cuauhtitlan as the Codex Chimalpopoca’s central Nahuatl texts.

  3. From Ancient Rome to Colonial Mexico: The Legend of the SunsUniversity Press of Colorado Open Books

    Open-access scholarship confirming the 1558 text’s creation sequence: ancestral bones ground like maize and animated through the gods’ self-sacrifice.

Continue the dream

Figures in the Codex

QuetzalcoatlMictlantecuhtli

Dream symbols

Dreaming of deathDreaming of falling

Dream worlds

Origin